The Passion by Mel Gibson


 

 
 

The Passion by Mel Gibson (Foreword), Ken Duncan (Photographer)

The Passion by Mel Gibson (Foreword), Ken Duncan (Photographer)
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  • Hardcover: 160 pages ; Dimensions (in inches): 0.80 x 11.64 x 9.20
  • Publisher: Tyndale House Publishers; (February 2004)
  • ISBN: 0842373624

5 out of 5 stars Beautifully Produced Book Covers Mel Gibson's Superb Movie!, February 26, 2004
 

Top 10 Reviewer Reviewer: Barron Laycock (Labradorman) from Temple, New Hampshire United States

This superbly crafted, photographed and carefully scripted book, along with the wonderful daily vespers book "His Passion' (see my review) provide an excellent set of companion material for those moved to action by the experience of the film itself, and who want to explore more into both the project Mel Gibson embarked on in the making of the film as well as the particualr sect of scriptural teachings informing the endeavor. It also provides Gibson for a forum in which he can explain the project and deal with the multitude of criticism emanating from both the secular and wider religious communities.

As a result of these considerations, the reader is presented with a great deal of relevant material explaining why Gibson chose to use some fairly obscure and narrow interpretations of the events surrounding Jesus' Passion during the final days of His life on earth. For example, within the pages of the foreword of the book, Gibson explains how he came to depend so heavily on the use of Biblical passages from the "New Living Translation" version of the Bible almost exclusively as the material for the spoken dialogue in the script. He also articulates why he deliberately decided to use more original antique languages along with English subtitles in order to maximize the authenticity of the moviegoer's experience of the final twelve hours of Jesus' life.

The book works quite well, using the combination of both diverting text and a wonderful collage of stunning photographs to display the movie-making experience. One caution, however; those who have not seen the movie should be aware that Gibson assumes those reading the book have seen the epic, and although one can get a fairly good representation of the film from the book, it is clearly no substitute for the experience itself. I highly recommend the book for people who have seen the movie and who want to extend the experience with a wonderfully reproduced book that showcases both Gibson's artistry and the magic talents of his cinematographer's craft. Enjoy!
 

 


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The Passion by Mel Gibson

 

 

 

 

 

 

 

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